Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... critical of all foundationalist claims about theatrical value , and his plays put into action the full dialogism of a brilliantly parodic dramatic art . Overall , the tripartite competitive rewriting of theater is carried on in terms of ...
... critical and moralist relationship with festive , romantic comedies like Dream , which are thereby " unmasked ” as self- interested falsifications of the theater's place in the political order . Thus the " uncovering " of the hypocrisy ...
... Critical Inquiry 19 ( 1993 ) : 337–64 . " On the Tongue : Cross - Gendering , Effeminacy , and the Art of Words . " Style 23 ( 1989 ) : 445–65 . . Shakespeare from the Margins : Language , Culture , Context . Chicago : University of ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |