Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
Vyhledávání v knize
Výsledky 1-3 z 17
... developed by disidentifying reading from watching and disentan- gling " stately history " from foolish spectacle ( it is not clear of course just what is being disentangled from what or just how putatively non- authorial " jestures ...
... developed the idea of the theater as mirth in order to reconcile the stage's divided position between commercialism and patronage , and also the players ' divided mission - performing in their own public playhouses and also at court as ...
... developed in the play itself , that finds Othello sexually pos- sessive rather than genuinely loving . What did Shakespeare gain by rewriting value as incommensu- rate with power and representation ? One part of the answer is a new ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
Další části 5 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Odkazy na tuto knihu
The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |