Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... difference supplied a particular language in which he was able to redescribe the theater . This is not to say that Shakespeare was not genuinely interested in gender issues , or that his depictions of men and women did not have ...
... difference being that women's were inside their bodies whereas men's were outside . This difference was owing to the coolness of female relative to male anatomy ; in terms of humoral physiology , female coolness was seen to indicate ...
... difference as absolute opposition rather than as graduated continuity . At least as far back as Aristotle , people seem commonly to have portrayed male and female as polar opposites - form and matter , limited and unlimited , active and ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |