Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... discourses by aligning poetic discourse with the ideal . He severs poetry's connection with mundane discourses , with every- day standards of truth , with the natural world , and with the activity itself of writing and reading poetry ...
... discourse about politics , however , the players were obliged to surrender the substance of their words ; they were content to speak but to say nothing , content - in other words — to play . The players , and playwrights , earned their ...
... Discourse , 250 . 20. Michel Foucault , The Archaeology of Knowledge and The Discourse on Language , trans . A. M. Sheridan Smith ( New York : Pantheon , 1971 ) , 128 . 21. Foucault , Archaeology , 129 . 22. I am referring to E. D. ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |