Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... drama on the one side and its toleration of the commercial theater which replaced that drama on the other . Clare discusses the former as if it were the seed Why out of which grew the late Elizabethan Office of the Revels . To a de ...
... drama tended to corrupt its audience , and that playing incurred the wrath of God.44 The city's opposition to the drama ceased to be a decisive factor around 1600. This was accomplished by several means : the Council compromised with ...
... Drama in England 2 ( 1985 ) : 269–82 . 2. Thomas Nashe , Pierce Penilesse His Supplication to the Devil , in Works ... Drama and the Elizabethan Succession ( London : Royal Historical Society , 1977 ) , 38–60 ; and David Bevington , Tu ...
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The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |