Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... effect ( as Shakespeare's " Mousetrap " suggests ) to turn the production of meaning over to their audiences . 26 Second was commercialism , which , beginning with the opening of the Red Lion in 1567 and the Theatre in 1576 , allowed ...
... effect of power ( the commonplace postmodernist view ) .11 How might our understanding of culturally significant institutions such as early modern theater be changed if we thought about power as interdependent with con- sciousness ? Is ...
... effects and external operations . ( quoted in Maus , 5 ) While Maus's historical argument puts in question the materi ... effect rather than as truth . In Hamlet , the priority of inwardness over outwardness that is central in Wright is ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |