Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... female silence are indeed expressed in many Renaissance texts , as Stallybrass shows . But the circularity of the argument does create certain blind spots . Other , competing Renaissance versions of " Woman " receive scant mention ...
... female as an imperfect or incomplete version of the male was itself ques- tioned well before the early seventeenth - century rejection by most medical authorities of the homology of male and female , or the model of female ' defect ' or ...
... Female power and sexuality are equated with women's speaking , and female speech is bound within the masculine rule of the jaws and teeth . These differences between Jonson and Shakespeare are not nec- essarily an effect of what some ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |