Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... human history . Incidentally , Marlovian interpretive oscillation continued to influence Shake- speare , especially in the history plays or in a " problem " comedy such as All's Well That Ends Well , where we do not know whether Helena ...
... human action and divine ordination . Nevertheless there is a resemblance between the two plays : Tamburlaine is the guardian of persecuted Christians as well as a murderous tyrant ; Leantio's mother is a convincing advocate of old ...
... human reproduction , the truth is that he sometimes has it one way and sometimes has it the other.19 More often , certainly , the male protagonist is recognized by virtue of his resemblance to his father . In As You Like It , Orlando is ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |