Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... interests of the theater . This is important because much recent criti- cism has regarded the drama as a mirror of the culture , as if it had no particular institutional content or agenda of its own . But neither Shakespeare , Jonson ...
... interests ( interests which , to be sure , are connected in various ways to the culture in general ) . The claim that the theater was powerless rather than powerful is based on the historical record , but it is also grounded in a ...
... interests rather than the interests of the culture . Shifting the angle of interpretation in this way helps explain why Shakespeare's " gender politics " seem so unstable . Writing from within a culture that valued the male above the ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |