Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... interpretive field or in terms of some foundational value dif- ferent from the interpretive field and the valuelessness or cultural weightlessness of the powerless theater . They attempted this rein- scription in ways that were ...
... interpretive grid through which Marlowe's tragic protagonists , especially Tam- burlaine and Faustus , have been misread in much modern criticism . Important in this regard is the difference between Shakespeare's pri- vatization of ...
... interpretive context for understanding Middleton's design . Middleton's elaboration of Marlowe keeps meaning moving be- tween three framework positions . Middleton's characters are either subjected to social forces beyond their ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |