Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... legitimation . I consider the ways in which Elizabethan and Jacobean plays negotiated between the socially degraded activity of playwriting and the dramatists ' desire for social prestige . While some other critics emphasize how the ...
... legitimation of theater is not primarily the relationship between Middleton's and Shakespeare's theaters ( Paul's and the Theatre / Globe ) , but rather the relationship between Middleton's Jacobean and Shakespeare's Elizabethan ...
... legitimation of , 50-51 ; self- promotion of , 52 ; and Shakespeare , xv - xvi , 82 ; status of , 58-60 ; Tacitean history in , 112 ; topicality of drama of , 156 ; violent tendencies of , 53-55 ; “ vi- sual authorship " of , 87-92 ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |