Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... mother- in - law , “ Methought he saw us . " Leantio's mother answers ( wrongly as it turns out ) : " That's ev'ry one's conceit that sees a duke ; / If he look steadfastly , he looks straight at them ” ( 1.3.105—7 ) . Looking into ...
... mother's glass , and she in thee / Calls back the lovely April of her prime . " Sonnet 3 implies that having children requires the action of male seed upon female earth , but it also suggests that the young male addressee of the poem ...
... mother : " I was the happiest child in all our country ; / I was born of a dumb woman " ( 3.1.52-53 ) . From his mother , Dondolo learned to read the voiceless speech of silent women , and his ability to understand what Lactantio calls ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |