Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... mouth . " The phrase appears in As You Like It , where , in response to Rosalind's flurry of questions and her demand to be answered " in one word , " Celia says , " You must borrow me Gargan- tua's mouth first ; ' tis a word too great ...
... mouth full of news . Cel . Which he will put on us , as pigeons feed their Ros . Then shall we be news - cramm'd ... mouth as the agent of inward freedom in the face of discursive repletion . With- out even having to hear it , we know ...
... mouth " represents the value of playing , playgoing , and playwriting as separate from the material exchanges that take place between playwrights , players , and audience members ; Jonson's sealing of the female mouth suggests a view of ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |