Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... persons.3 39 Elizabeth's fear of the drama , however , was not likely to have been occasioned by the players themselves . Indeed , over the next forty years the Queen generally supported the players , especially in the face of the ...
... persons , but I do not think that such persons ever get entirely free of the operations of power . These particular persons - Shakespeare , Jonson , and Middle- ton - negotiated for their own worth and the worth of their com- mon ...
... persons - the writer and his readers - become visible at such moments in spite of their exclusion from discussion elsewhere in his work , but also knowledge appears here in a liberating guise surprisingly at odds with his explicit ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |