Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... players ' continuing existence was dependent primarily upon their association with the court . Their court patrons and the Queen's Privy Council provided the protection from harassment and prosecution that the players required in order ...
... players ' guarantee of continuing conciliar support . As early as 1559 , for example , we find Lord Robert Dudley asking his colleague , the Earl of Shrewsbury to endorse Dud- ley's players ' license to tour , assuring him that the players ...
... players ( in relation to whom the commercial - theater audience is gentrified ) , but the tradesmen are also not the players - they are a vulgar parody of the players in con- trast to which the players themselves appear to be not ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |