Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... position of the theater . In terms of this transformation , Mad World's critique of Shakespeare's Elizabethan politics of mirth rep- resents a version of the position Shakespeare himself was developing in Troilus and Cressida ( c . 1602 ) ...
... position is closest to Shakespearean tragic subjectivity . In the play , these framework positions operate like shifting tec- tonic plates . Of course , not every character or scene is subject to the full range of interpretive stresses ...
... position in relation to Leantio and his mother that inverts the position of the corrupt court in relation to Sabinus and Silius : both pairs of characters confirm their own know- ability to each other in terms of their shared knowing of ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |