Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... practice fully engaged in the life of so- ciety . Dollimore , for example , has argued against the idea that litera- ture ... practices that intervened in contemporary history : Thomas Elyot , in The Governor , asserted that , in reading ...
... practices . Foucault speaks slightingly of a historical practice that pretends to be able to see " on the great mythi- cal book of history , lines of words that translate in visible characters thoughts that were formed in some other ...
... practice . And , in view of this " seamless " continuity between theater and other cultural practices , there can be no basis for the commonplace new historicist claim that the theater mattered in some particular way in early modern ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |