Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... presents itself to us . ( 297 ) Gadamer imagines history as a river flowing down to us from the past ; it is also a system of streams flowing between a multiplicity of locales . Living in the present , we are more directly connected to ...
... present , compelled by the very nature of time - bound knowledge never to grasp anything of the past beyond a reflection of present concerns . But neither is there any basis to the fantasy of a complete , objective knowledge of the past ...
... present - day horizon of knowledge and that of the culture in question . Archaeology is primarily interested in the operations of power that go on beneath the horizon of consciousness of any given culture . But in neither case is the ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |