Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... printed satires were called in and burned in 1599 while satirical plays flourished , or that John Hayward underwent the most Draconian of state trials because of his published history of Richard II and Henry IV while Shakespeare's ...
... printed for gentlemanly readers rather than as plays staged by the players for the commonality . That redescription came easily to Richard Jones , the publisher of the 1590 octavo edition of Marlowe's Tamburlaine . Jones's epistle ...
... printed copy mirrors original text . Upon her return to Sicilia as a grown woman , her identity is established on the basis of written and material evidence ; only then is her resemblance to Hermione noted , and at that it pertains ...
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The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |