Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... question . Archaeology is primarily interested in the operations of power that go on beneath the horizon of consciousness of any given culture . But in neither case is the enabling context or system evi- dently in the texts that are ...
... question . The two categories and the terms " private " and " public " themselves are yoked throughout the play . “ Close breasts ” can be " ripped up to light " ( 1.24-25 ) , and secret thoughts ( " The knotted bed " ) can be found out ...
... question of Shakespeare's position on the Renaissance de- bate about women seems unanswerable . The undecidability of the question suggests that Shakespeare did not mean to say anything in general one way or another about either women ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |