Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... recently , sociopolitical tragedies such as Sejanus or Women have seemed to miss the mark altogether . Mad World ... Recent materialist criticism by Jonathan Dollimore , Catherine Belsey , and others has attempted to revive political ...
... recent produc- tion of the play , " there was a ripple of audible relief in the audience when the Cardinal made his great fourth act denunciation . ” 36 No doubt but that Middleton's primary style of characterization is ironic and ...
... recent , brilliant discussion of marginality in Shakespeare , see Patricia Parker , Shakespeare from the Margins : Language , Culture , Context ( Chicago : University of Chicago Press , 1996 ) . 7. For an analysis of the flexibility ...
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The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |