Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... relation to literature , they are complexly interconnected but nonetheless distinct discursive do- mains : " Sites ... relationship between mirth in the streets and mirth in the playhouse . Each ends with a play - within - the - play ...
... relationship suggests a certain view of sub- jectivity and a certain representational practice , Women opens with a ... relation to Sabinus and Silius : both pairs of characters confirm their own know- ability to each other in terms of ...
... relationship with Shakespeare ; and in separate studies , Jonathan Haynes , The Social Relations of Jonson's Theater ... relation to a history of comic forms and in light of Jonson's project of politicizing the theater . 26. For the ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |