Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... scene that follows , the boy finds himself acting a part because of his unavoidable complicity in Lorenzo's villainy . His complicity has the effect of vitalizing the hanging scene ; his secret knowledge of the box's emptiness produces ...
... scene - the difference that does not make any differ- ence , since Orlando and Rosalind would probably have married any- way even if Rosalind had revealed herself as soon as she arrived in Arden . Our awareness of Rosalind's self ...
... scene , she collapses on the stage and cries out for a midwife . The dancing class exemplifies Middleton's rewriting of Jonson's exclusionary and Shakespeare's identificatory dramaturgy , since it encourages the audience's sympathy for ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |