Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... sexual openness participates , of course , in a long - standing antifeminist tradition . In his Catechisme ( 1564 ) , Thomas Becon wrote : " The whore is never satisfied , but is like as one that goeth by the way and is thirsty : even ...
... sexual politics , if not on state politics . To mark his distance from Jonson's masculine theater , how- ever , Middleton transfers the ideal of the voiceless female mouth from the center of the play to the outskirts of a comic ...
... sexual onto the oral , see Gail Kern Paster , The Body Embarrassed : Drama and the Disciplines of Shame in Early Modern England ( Ithaca , N.Y .: Cornell Uni- versity Press , 1993 ) , 268–69 . 4. Nancy Chodorow , The Reproduction of ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |