Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... texts peculiar to those texts ' producers and first readers and viewers . " Hermeneutical effort , " Habermas writes , " is aimed at the appropriation of meaning ; in each document , it hunts out a voice reduced to silence that should ...
... texts in the first place . Hermeneutics attempts to get " inside " past cultures and so gives weight to what historical individuals have said about themselves ; it pays attention to their horizon of consciousness and attempts to ...
... texts ( " how did so much life get into the textual traces ? " ) , Greenblatt reaches a tell- ing and salutary conclusion that , although at odds with the strong strain of archaeological historicism in his work , nevertheless arrest ...
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The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |