Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
Vyhledávání v knize
Výsledky 1-3 z 89
... theatrical style of the boys ' companies at the turn of the century— the " aery of children , little eyases . . . [ who ] exclaim against their own succession " ( Hamlet , 2.2.339 , 351 ) . However , theatrical legiti- mation was ...
... theatrical mirth had in some way to manage . Important also is Peter Stallybrass and Allon White's critique of the tendency in accounts of carnivalized literature to ignore " the dif- ference between popular festive rituals and the ...
... theatrical , 161 ; Middleton's critique of , 164-65 Ure , Peter , 175 n.37 Weimann , Robert , 69 Wells , Susan , 182 ... theatrical legitimation , 134 , 145 ; and theatrical power , 131 Woodbridge , Linda , 137 Worming of a Mad Dogge ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
Další části 5 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Odkazy na tuto knihu
The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |