Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... thought to be so , that the theater could not have been a major political force given that most authorities and other witnesses thought that playing was just good fun , even if it was on occasion a public nuisance . In this view , the ...
... thought he would see as biopower's irresistible production of sub- jectivity : " It is the agency of sex that we must break away from , if we aim - through a tactical reversal of the various mechanisms of sexuality — to counter the ...
... thought of the commercial theater as a pastime ; and also by the fact that Jonson himself was unable to evade completely the Shakespearean construc- tion of tragedy in terms of the figure of the individual possessed of something ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |