Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... writing for the English Renaissance theater . Writing for money , for common tastes , for performance in commercial houses before paying custom- ers - all this connected playwriting with ungentlemanly occupations such as leatherworking ...
... writing poetry : " I will give you a nearer example of my self , who ( I know not by what mischance ) in these my not old years and idlest times , having slipped into the title of a poet , am provoked to say something unto you in the ...
... writers . By having to submit to the censure of female patrons , a writer such as Jonson , or " the tother youth ... writing his way into the feminine world of Queen Anne's court ; the 1608 Masque of Beauty , written within a year of ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |