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This fight did last from break of day
Till setting of the sun;

For when they rung the evening bell,

The battle scarce was done.

One may observe likewise, that in the catalogue of the slain, the author has followed the example of the greatest ancient poets, not only in giving a long list of the dead, but by diversifying it with little characters of particular persons.

And with Earl Douglas there was slain

Sir Hugh Montgomery;

Sir Charles Carrell, that from the field
One foot would never fly:

Sir Charles Murrel of Ratcliff too,
His sister's son was he;

Sir David Lamb, so well esteem'd,

Yet saved could not be.

The familiar sound in these names destroys the majesty of the description for this reason I do not mention this part of the poem but to shew the natural cast of thought which appears in it, as the two last verses look almost like a translation of Virgil.

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In the catalogue of the English who fell, Witherington's behaviour is in the same manner particularized very artfully, as the reader is prepared for it by that account which is given of him in the beginning of the battle; though I am satisfied your little buffoon readers (who have seen that passage ridiculed in Hudi

bras) will not be able to take the beauty of it: for which reason

I dare not so much as quote it.'

Then stept a gallant squire forth,
Witherington was his name,

Who said, I would not have it told,
To Henry, our King, for shame,

That e'er my captain fought on foot,
And I stood looking on.

We meet with the same heroic sentiment in Virgil.

Non pudet, O Rutuli, cunctis pro talibus unam
Objectare animam? numerone an viribus æqui
Non sumus-

-?

En. 12, v. 229.

For shame, Rutulians, can you bear the sight
Of one expos'd for all, in single fight?
Can we, before the face of heav'n, confess
Our courage colder, or our numbers less?

DRYDEN.

What can be more natural, or more moving, than the circumstances in which he describes the behaviour of those women who had lost their husbands on this fatal day?

Next day did many widows come,"
Their husbands to bewail;

They wash'd their wounds in brinish tears,

But all would not prevail.

A sufficient proof if others were wanting that Addison had never seen the original poem, which has no traces of the ludicrous idea of the rifaci

mento.

For Wertharyngton my hearte was wo,

That ever he slayne shulde be;

For when both his leggis wear hewyne in to,

Yet he knyled and fought on hys kne.-G.

If Addison had had the old poem before him, he would have been still more struck with this beautiful passage.

So on the morrowe the mayde them byears

Off byrch and hasell so 'gray';

Many wedous with wepyng tears
Cam to fach ther makys a-way.-G.

Their bodies, bath'd in purple blood,

They bore with them away:

They kiss'd them dead a thousand times
When they were clad in clay.

Thus we see how the thoughts of this poem, which naturally arise from the subject, are always simple, and sometimes exquisitely noble; that the language is often very sounding, and that the whole is written with a true poetical spirit.

If this song had been written in the Gothic manner, which is the delight of all our little wits, whether writers or readers, it would not have hit the taste of so many ages, and have pleased the readers, of all ranks and conditions. I shall only beg pardon for such a profusion of Latin quotations which I should not have made use of, but that I feared my own judgment would have looked too singular on such a subject, had not I supported it by the practice and authority of Virgil." C.

No. 81. SATURDAY, JUNE 2.

Qualis ubi audito venantum murmure tigris
Horruit in maculas-

STATIUS, Theb. ii. 128.

As when the tigress hears the hunter's din,
A thousand angry spots defile her skin.

ABOUT the middle of last winter, I went to see an opera at the theatre in the Haymarket, where I could not but take notice of two parties of very fine women, that had placed themselves in

It may be proper to observe, once for all, that Mr. Addison's critical papers discover his own good taste; and are calculated to improve that of his reader; but otherwise have no great merit. He rarely makes a wrong judgment of the passages he quotes, but does not tell us on what grounds (or at least in too general terms) that judgment was, or ought to have been founded.-H.

VOL. IV.-10*

the opposite side-boxes, and seemed drawn up in a kind of battle array one against another.' After a short survey of them, I found they were patched differently; the faces, on one hand, being spotted on the right side of the forehead, and those upon the other on the left: I quickly perceived that they cast hostile glances upon one another; and that their patches were placed in these different situations, as party signals to distinguish friends from foes. In the middle boxes, between these two opposite bodies, were several ladies who patched indifferently on both sides of their faces, and seemed to sit there with no other intention but to see the opera. Upon inquiry, I found that the body of Amazons on my right hand were Whigs, and those on my left Tories and that those who had placed themselves in the middle boxes were a neutral party, whose faces had not yet declared themselves. These last, however, as I afterwards found, diminished daily, and took their party with one side or the other; insomuch that I observed in several of them, the patches, which were before dispersed equally, are now all gone over to the Whig or the Tory side of the face. The censorious say, that the men whose hearts are aimed at, are very often the occasions that one part of the face is thus dishonoured, and lies under a kind of dis grace, while the other is so much set off and adorned by the owner; and that the patches turn to the right or to the left, according to the principles of the man who is most in favour. But whatever may be the motives of a few fantastical coquettes, who do not patch for the public good so much as for their own private advantage, it is certain, that there are several women of honour who patch out of principle, and with an eye to the in

Whoever recollects with what violence the spirit of party raged in the latter end of Queen Anne's reign, will not be surprised that it should infect the ladies, or show itself in the instances so pleasantly indicated in this paper-C.

terest of their country. Nay, I am informed that some of them adhere so steadfastly to their party, and are so far from sacrificing their zeal for the public to their passions for any particular person, that in a late draught of marriage articles a lady has stipulated with her husband, that whatever his opinions are, she shall be at liberty to patch on which side she pleases.

I must here take notice, that Rosalinda, a famous Whig partizan, has most unfortunately a very beautiful mole on the Tory part of her forehead, which being very conspicuous, has occasioned many mistakes, and given an handle to her enemies to misrepresent her face, as though it had revolted from the Whig interest. But, whatever this natural patch may seem to insinuate, it is well known that her notions of government are still the same. This unlucky mole, however, has misled several coxcombs; and like the hanging out of false colours, made some of them converse with Rosalinda in what they thought the spirit of her party, when on a sudden she has given them an unexpected fire, that has sunk them all at once. If Rosalinda is unfortunate in her mole, Nigranilla is as unhappy in a pimple, which forces, her, against her inclinations, to patch on the Whig side.

I am told that many virtuous matrons, who formerly have been taught to believe that this artificial spotting of the face was unlawful, are now reconciled by a zeal for their cause, to what they could not be prompted by a concern for their beauty. This way of declaring war upon one another, puts me in mind of what is reported of the tygress, that several spots rise in her skin when she is angry; or, as Mr. Cowley has imitated the verses that stand as the motto of this paper,

She swells with angry pride,

And calls forth all her spots on ev'ry side.

'Davide's, Bock iii. v. 47.-L.

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