Freud and Stanislavsky: New Directions in the Performing Arts |
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CHARACTER PREPARATION 1 oft e We have incorporated the “ Magic If ” into every aspect of character preparation . The example offered in the second lecture may be considered typical . A rough analogy likens the imagination to an I.B.M. ...
CHARACTER PREPARATION 1 oft e We have incorporated the “ Magic If ” into every aspect of character preparation . The example offered in the second lecture may be considered typical . A rough analogy likens the imagination to an I.B.M. ...
Strana 62
11 th provoking responses from his memory that approximate the character of Hamlet . Only particularly appropriate “ inappropriate ” material is being released . If the artist were preparing King Lear different facts would elicit ...
11 th provoking responses from his memory that approximate the character of Hamlet . Only particularly appropriate “ inappropriate ” material is being released . If the artist were preparing King Lear different facts would elicit ...
Strana 67
She would sit in front of the group while I questioned her closely about the character , Katherine . We had arbitrarily grouped the various facts under the headings of : ( 1 ) the facts known to all ; ( 2 ) those known only to the ...
She would sit in front of the group while I questioned her closely about the character , Katherine . We had arbitrarily grouped the various facts under the headings of : ( 1 ) the facts known to all ; ( 2 ) those known only to the ...
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Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Prologue | 19 |
Definition of Terms | 29 |
Autorská práva | |
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able acting actor artist asked attempt attention audience baby become beginning behavior body CALIFORNIA/SANTA CRUZ character child choice comes common complete conscious course creative cultural demand depends depth desire determined discussion everything experiment face facts father fear feel finally forces girl give going Hamlet hand happens hate hidden hope human important inhibition inner intent interested keep kind king knowledge live look means mind mother motive move nature never objective once open intent performing person picture play position preparation producer psychology question reality reason represents reveal scene secret intent sense speak stage stand Stanislavsky suffering talk theatre things thoughts tion true truth turn unconscious understand University Library UNIVERSITY OF CALIFORNIA/SANTA voice wish young
Bibliografické údaje
| Název | Freud and Stanislavsky: New Directions in the Performing Arts |
| Autor | Donald Freed |
| Vydavatel | Vantage Press, 1964 |
| Zdroj originálu: | Kalifornská univerzita |
| Digitalizováno | 17. duben 2008 |
| Délka | Počet stran: 128 |
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