Freud and Stanislavsky: New Directions in the Performing Arts |
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After years of experience and training he comes face to face with a new role and is overwhelmed with the question , “ Where do I start ? " He knows he must somehow analyze the character and then act it on the stage .
After years of experience and training he comes face to face with a new role and is overwhelmed with the question , “ Where do I start ? " He knows he must somehow analyze the character and then act it on the stage .
Strana 66
Because Hamlet lashes himself with others ' castigations , do we accept them at face ? Is Hamlet's perfect , moving courtesy to the old actor the action of over - weening pride or filial ingratitude ? “ Use every man after his desert ...
Because Hamlet lashes himself with others ' castigations , do we accept them at face ? Is Hamlet's perfect , moving courtesy to the old actor the action of over - weening pride or filial ingratitude ? “ Use every man after his desert ...
Strana 126
To recognize the Dark of the Moon , one must be familiar with its traditional everydaynight face . If a work suppresses the outside world and capitulates jab to the inner shadow realm ; if it reveals only pathology and instinct and ...
To recognize the Dark of the Moon , one must be familiar with its traditional everydaynight face . If a work suppresses the outside world and capitulates jab to the inner shadow realm ; if it reveals only pathology and instinct and ...
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Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Prologue | 19 |
Definition of Terms | 29 |
Autorská práva | |
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Bibliografické údaje
| Název | Freud and Stanislavsky: New Directions in the Performing Arts |
| Autor | Donald Freed |
| Vydavatel | Vantage Press, 1964 |
| Zdroj originálu: | Kalifornská univerzita |
| Digitalizováno | 17. duben 2008 |
| Délka | Počet stran: 128 |
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