Freud and Stanislavsky: New Directions in the Performing Arts |
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nget motivations ” ( unconscious drives ) , but that the acting will be ts à effective only if the actor can convince the audience that these igrei hidden intents are just as hidden to him as they are to the chara fer acter he portrays ...
nget motivations ” ( unconscious drives ) , but that the acting will be ts à effective only if the actor can convince the audience that these igrei hidden intents are just as hidden to him as they are to the chara fer acter he portrays ...
Strana 61
When the actor enters the stage with the working , open intent " If I want to live ( what would I do ) [ in this situation ] ” he will bear upon him the mark of the sweeping vicissitudes of the character all hidden and represented in ...
When the actor enters the stage with the working , open intent " If I want to live ( what would I do ) [ in this situation ] ” he will bear upon him the mark of the sweeping vicissitudes of the character all hidden and represented in ...
Strana 80
They won't be able to read it , but the terrible intensity of the need , which is hidden , and the character limitations which prevent us from going directly to what we want , force us to say the words and find other ways to act out the ...
They won't be able to read it , but the terrible intensity of the need , which is hidden , and the character limitations which prevent us from going directly to what we want , force us to say the words and find other ways to act out the ...
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Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Prologue | 19 |
Definition of Terms | 29 |
Autorská práva | |
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Bibliografické údaje
| Název | Freud and Stanislavsky: New Directions in the Performing Arts |
| Autor | Donald Freed |
| Vydavatel | Vantage Press, 1964 |
| Zdroj originálu: | Kalifornská univerzita |
| Digitalizováno | 17. duben 2008 |
| Délka | Počet stran: 128 |
| Exportovat citaci | BiBTeX EndNote RefMan |