Freud and Stanislavsky: New Directions in the Performing ArtsVantage Press, 1964 - Počet stran: 128 |
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Strana 26
... inner . ” The stuff which connected " inner " and " outer " made the former fateful for the latter . What promoted the " sense of truth ” and breathed life into the creation was the acceptance on the part of the actor of the character's ...
... inner . ” The stuff which connected " inner " and " outer " made the former fateful for the latter . What promoted the " sense of truth ” and breathed life into the creation was the acceptance on the part of the actor of the character's ...
Strana 46
... inner voice or conscience . This inner voice may be harsh or even hysterical - rubbing its fingers in shame . Hamlet- " I am thy father's spirit doomed for a certain term to walk the earth - and for the day confined to fast in fires ...
... inner voice or conscience . This inner voice may be harsh or even hysterical - rubbing its fingers in shame . Hamlet- " I am thy father's spirit doomed for a certain term to walk the earth - and for the day confined to fast in fires ...
Strana 57
... inner feelings of the character . Instead we hold that the sounds emitted by the character , es- pecially in the ... inner chaos , that he is reversing the irresistible tide of inner stimu- li . Therefore , his voice does not express his ...
... inner feelings of the character . Instead we hold that the sounds emitted by the character , es- pecially in the ... inner chaos , that he is reversing the irresistible tide of inner stimu- li . Therefore , his voice does not express his ...
Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Introduction by GUY STOCKWELL | 15 |
Prologue | 19 |
Autorská práva | |
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