Freud and Stanislavsky: New Directions in the Performing ArtsVantage Press, 1964 - Počet stran: 128 |
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Výsledky 1-3 z 12
Strana 25
... motives , love and rage , were no mystery , because they were open and admitted ; the only difference between lago and ... motive . As William Faulk- ner puts it : " The human heart in conflict with itself . " In Res- nais ' film , the ...
... motives , love and rage , were no mystery , because they were open and admitted ; the only difference between lago and ... motive . As William Faulk- ner puts it : " The human heart in conflict with itself . " In Res- nais ' film , the ...
Strana 38
... motive for this generosity existed had be- come increasingly clear to the young girl . Certain incidents brought her to the painful realization that her uncle intended to exploit his position as benefactor by furthering his desire for ...
... motive for this generosity existed had be- come increasingly clear to the young girl . Certain incidents brought her to the painful realization that her uncle intended to exploit his position as benefactor by furthering his desire for ...
Strana 68
... motive . But the actor knows it's there . And so , unlike a situation in life , when a secret motive lies dormant and well hidden , the actor creates a context where the motive is a little closer to the surface , always peeping out ...
... motive . But the actor knows it's there . And so , unlike a situation in life , when a secret motive lies dormant and well hidden , the actor creates a context where the motive is a little closer to the surface , always peeping out ...
Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Introduction by GUY STOCKWELL | 15 |
Prologue | 19 |
Autorská práva | |
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