Freud and Stanislavsky: New Directions in the Performing Arts |
Vyhledávání v knize
Výsledky 1-3 z 18
Strana 25
He then retreats into an awesome this and terrible silence which is never again broken , and this attests to the horror felt by even as hardened a criminal as lago Bi when confronted by the spectre of a little girl living inside himself ...
He then retreats into an awesome this and terrible silence which is never again broken , and this attests to the horror felt by even as hardened a criminal as lago Bi when confronted by the spectre of a little girl living inside himself ...
Strana 29
An example will reveal at once the familiarity and surprising releasing power of the " Magic If . ” A and B are talking ; with a faraway look , A says , “ You know , if I were Napoleon , I should never have invaded Russia in winter ...
An example will reveal at once the familiarity and surprising releasing power of the " Magic If . ” A and B are talking ; with a faraway look , A says , “ You know , if I were Napoleon , I should never have invaded Russia in winter ...
Strana 65
... Never , never , never , never , never ! Pray you , undo this button . ” Is he lower than his pompous early posturing , is that why King Lear is a tragedy ? Did Hamlet come to grief through a “ tragic flaw ?
... Never , never , never , never , never ! Pray you , undo this button . ” Is he lower than his pompous early posturing , is that why King Lear is a tragedy ? Did Hamlet come to grief through a “ tragic flaw ?
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Prologue | 19 |
Definition of Terms | 29 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
Běžně se vyskytující výrazy a sousloví
able acting actor artist asked attempt attention audience baby become beginning behavior body CALIFORNIA/SANTA CRUZ character child choice comes common complete conscious course creative cultural demand depends depth desire determined discussion everything experiment face facts father fear feel finally forces girl give going Hamlet hand happens hate hidden hope human important inhibition inner intent interested keep kind king knowledge live look means mind mother motive move nature never objective once open intent performing person picture play position preparation producer psychology question reality reason represents reveal scene secret intent sense speak stage stand Stanislavsky suffering talk theatre things thoughts tion true truth turn unconscious understand University Library UNIVERSITY OF CALIFORNIA/SANTA voice wish young