Freud and Stanislavsky: New Directions in the Performing ArtsVantage Press, 1964 - Počet stran: 128 |
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Strana 31
... objective " of the character . This was the first systematic attempt to codify for the per- forming artist all the ... objectives " and " super - objectives 31.
... objective " of the character . This was the first systematic attempt to codify for the per- forming artist all the ... objectives " and " super - objectives 31.
Strana 32
... objective " ) . Again , Macbeth's first “ objective " is the murder of Duncan , but his " super - objective " is to be king . It is clear that the " super - objective " tends to be fixed and unchang- ing , while the “ objective ” is ...
... objective " ) . Again , Macbeth's first “ objective " is the murder of Duncan , but his " super - objective " is to be king . It is clear that the " super - objective " tends to be fixed and unchang- ing , while the “ objective ” is ...
Strana 35
... objective or intent . This is classic neuro - semantics ; words ( high - order abstrac- tions ) give way to imagery and vaso - motor low order abstrac- tions , resulting in psycho - motor " behavior " ( lowest - order abstractions ) on ...
... objective or intent . This is classic neuro - semantics ; words ( high - order abstrac- tions ) give way to imagery and vaso - motor low order abstrac- tions , resulting in psycho - motor " behavior " ( lowest - order abstractions ) on ...
Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Introduction by GUY STOCKWELL | 15 |
Prologue | 19 |
Autorská práva | |
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