Freud and Stanislavsky: New Directions in the Performing ArtsVantage Press, 1964 - Počet stran: 128 |
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Strana 97
... once , too . And so there is no need to be cruel now that we're adults . " It is no longer our anger as actors toward the person we dislike that inhibits us - and this is important : it is not our anger or hatred that inhibits us ...
... once , too . And so there is no need to be cruel now that we're adults . " It is no longer our anger as actors toward the person we dislike that inhibits us - and this is important : it is not our anger or hatred that inhibits us ...
Strana 109
... once or try to do everything at once . And always , always keep acting within the scene at hand . In the scene we talked about , for instance , one of the main determining factors was that Hamlet was in front of three people . The ...
... once or try to do everything at once . And always , always keep acting within the scene at hand . In the scene we talked about , for instance , one of the main determining factors was that Hamlet was in front of three people . The ...
Strana 113
... once clapped our hands when we were happy and overjoyed ; now we want to see someone else doing it . We feel it's the same as doing it ourselves - then we're happy . And in some countries , the actors still applaud the audiences , so ...
... once clapped our hands when we were happy and overjoyed ; now we want to see someone else doing it . We feel it's the same as doing it ourselves - then we're happy . And in some countries , the actors still applaud the audiences , so ...
Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Introduction by GUY STOCKWELL | 15 |
Prologue | 19 |
Autorská práva | |
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