Freud and Stanislavsky: New Directions in the Performing Arts |
Vyhledávání v knize
Výsledky 1-3 z 83
Strana 12
Alisus is freque te was anyone had | kedipus I head a study group under the sponsorship of the Los Angeles motivat Institute for Psychoanalysis for interested performing artists , di- ciecios rectors and others connected with the ...
Alisus is freque te was anyone had | kedipus I head a study group under the sponsorship of the Los Angeles motivat Institute for Psychoanalysis for interested performing artists , di- ciecios rectors and others connected with the ...
Strana 19
New Directions in the Performing Arts Donald Freed. PROLOGUE When I was first encouraged to incorporate a series of lectures with which I was engaged , together with a personal statement , I immediately " hit " on the title : Depth ...
New Directions in the Performing Arts Donald Freed. PROLOGUE When I was first encouraged to incorporate a series of lectures with which I was engaged , together with a personal statement , I immediately " hit " on the title : Depth ...
Strana 21
New Directions in the Performing Arts Donald Freed. and IN ON 16 ICE 111 " pays for everything himself , ” * founding the greatest theatre in Hei the history of the art with his own funds and time . The open ior enemy of all that was ...
New Directions in the Performing Arts Donald Freed. and IN ON 16 ICE 111 " pays for everything himself , ” * founding the greatest theatre in Hei the history of the art with his own funds and time . The open ior enemy of all that was ...
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Prologue | 19 |
Definition of Terms | 29 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
Běžně se vyskytující výrazy a sousloví
able acting actor artist asked attempt attention audience baby become beginning behavior body CALIFORNIA/SANTA CRUZ character child choice comes common complete conscious course creative cultural demand depends depth desire determined discussion everything experiment face facts father fear feel finally forces girl give going Hamlet hand happens hate hidden hope human important inhibition inner intent interested keep kind king knowledge live look means mind mother motive move nature never objective once open intent performing person picture play position preparation producer psychology question reality reason represents reveal scene secret intent sense speak stage stand Stanislavsky suffering talk theatre things thoughts tion true truth turn unconscious understand University Library UNIVERSITY OF CALIFORNIA/SANTA voice wish young