Freud and Stanislavsky: New Directions in the Performing ArtsVantage Press, 1964 - Počet stran: 128 |
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Strana 72
... scene Richard reacts to one aspect of his infantile complex . Sometimes he denies that he was born like ordinary men ... scene , you will be what you want to be ; in another scene , you will try to make someone else what you want , or ...
... scene Richard reacts to one aspect of his infantile complex . Sometimes he denies that he was born like ordinary men ... scene , you will be what you want to be ; in another scene , you will try to make someone else what you want , or ...
Strana 107
... scene ? " they're thinking incorrectly . Instead of thinking in units or moments , they're thinking of the whole scene . Now the point is whether , at the beginning of a scene , the actor is struck in a certain way , as when Hamlet is ...
... scene ? " they're thinking incorrectly . Instead of thinking in units or moments , they're thinking of the whole scene . Now the point is whether , at the beginning of a scene , the actor is struck in a certain way , as when Hamlet is ...
Strana 109
... scene . He had to trust it , to push it to its final conclusion , then let it alone and see what would happen in the ... scene at hand . In the scene we talked about , for instance , one of the main determining factors was that Hamlet ...
... scene . He had to trust it , to push it to its final conclusion , then let it alone and see what would happen in the ... scene at hand . In the scene we talked about , for instance , one of the main determining factors was that Hamlet ...
Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Introduction by GUY STOCKWELL | 15 |
Prologue | 19 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
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