Freud and Stanislavsky: New Directions in the Performing Arts |
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Strana 72
He is being very kingly.in He talks four times as much as he needs to . The question is : lor Why ? How will the intent to be a ... While I talk and talk and talk to them ! In another scene , a noble refuses to bow to Richard on his ...
He is being very kingly.in He talks four times as much as he needs to . The question is : lor Why ? How will the intent to be a ... While I talk and talk and talk to them ! In another scene , a noble refuses to bow to Richard on his ...
Strana 81
is polit ! ather box lls the sun talking a inbeke THIRD LECTURE this ahora Please do 101 , beca hat line being a 110 wa becaux that's her he was We have been talking about how to find an intent . We're going to continue to work on this ...
is polit ! ather box lls the sun talking a inbeke THIRD LECTURE this ahora Please do 101 , beca hat line being a 110 wa becaux that's her he was We have been talking about how to find an intent . We're going to continue to work on this ...
Strana 102
He will fidget around ; he will act like a wet child ; he will be unable to join in ; and as things grow worse , his conversation will sound like baby talk . Everything again will be revealed . But he will have taken pains to capitalize ...
He will fidget around ; he will act like a wet child ; he will be unable to join in ; and as things grow worse , his conversation will sound like baby talk . Everything again will be revealed . But he will have taken pains to capitalize ...
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Obsah
Foreword by LAWRENCE J FRIEDMAN M D | 11 |
Prologue | 19 |
Definition of Terms | 29 |
Autorská práva | |
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able acting actor artist asked attempt attention audience baby become beginning behavior body CALIFORNIA/SANTA CRUZ character child choice comes common complete conscious course creative cultural demand depends depth desire determined discussion everything experiment face facts father fear feel finally forces girl give going Hamlet hand happens hate hidden hope human important inhibition inner intent interested keep kind king knowledge live look means mind mother motive move nature never objective once open intent performing person picture play position preparation producer psychology question reality reason represents reveal scene secret intent sense speak stage stand Stanislavsky suffering talk theatre things thoughts tion true truth turn unconscious understand University Library UNIVERSITY OF CALIFORNIA/SANTA voice wish young