細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 1. 1. 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出, 論文集以學者犀利的目光,淵博深厚的修養,獨到的見解, |
Vyhledávání v knize
Výsledky 6-10 z 42
Strana 25
... 劇本的確切發展。然而,就算有了這個警告在先,事情的結果也使得編劇者本人,以及觀眾,大吃一驚:潑哥把霸臀( Bottom )變為驢子,而這驢頭又成了泰淡雅眼中的天使。我們還記得,奧本龍原來的「劇本」裏,並沒有提到驢子。這並不是說,一個驢頭有什麼大不了。可是 ...
... 劇本的確切發展。然而,就算有了這個警告在先,事情的結果也使得編劇者本人,以及觀眾,大吃一驚:潑哥把霸臀( Bottom )變為驢子,而這驢頭又成了泰淡雅眼中的天使。我們還記得,奧本龍原來的「劇本」裏,並沒有提到驢子。這並不是說,一個驢頭有什麼大不了。可是 ...
Strana 26
... 劇本的發展沒有遵照原來的構想,這位原編劇者仍然很滿意,甚至可以說是大喜過望。第二個例子正好相反:導演幾乎一字不差的遵守原劇本,可是劇作家還是大呼冤枉。這個例子就是奧本龍設計的第二個劇本,和我們剛剛討論過的差不多是同時的創作。一方面,奧本龍決定 ...
... 劇本的發展沒有遵照原來的構想,這位原編劇者仍然很滿意,甚至可以說是大喜過望。第二個例子正好相反:導演幾乎一字不差的遵守原劇本,可是劇作家還是大呼冤枉。這個例子就是奧本龍設計的第二個劇本,和我們剛剛討論過的差不多是同時的創作。一方面,奧本龍決定 ...
Strana 27
... 劇本要求把花露滴在一個「傲慢的』雅典「青年」,至於辨識的方法,就靠「他穿的是雅典衣服」。劇本的意圖似乎很明顯,指示也直截了當。潑哥以他慣有的愉快心情,接受了這份差事,立刻就去辦;他說:「放心吧,好主人,您的僕人這就去」( 2.1.286 )。當然,奧本龍 ...
... 劇本要求把花露滴在一個「傲慢的』雅典「青年」,至於辨識的方法,就靠「他穿的是雅典衣服」。劇本的意圖似乎很明顯,指示也直截了當。潑哥以他慣有的愉快心情,接受了這份差事,立刻就去辦;他說:「放心吧,好主人,您的僕人這就去」( 2.1.286 )。當然,奧本龍 ...
Strana 28
... )這番評語正好點出編劇者心目中的導演角色,也暗示出兩者之間特有的緊張關係。從編劇者的觀點來看,戲劇的失敗,若非由於導演能力不足,就是由於他故意曲解劇本。這種說法的特點是,編劇者沒有想到, 錯誤也許出在他自己,他的劇本 28 ◎細說莎士比亞:論文集.
... )這番評語正好點出編劇者心目中的導演角色,也暗示出兩者之間特有的緊張關係。從編劇者的觀點來看,戲劇的失敗,若非由於導演能力不足,就是由於他故意曲解劇本。這種說法的特點是,編劇者沒有想到, 錯誤也許出在他自己,他的劇本 28 ◎細說莎士比亞:論文集.
Strana 29
... 劇本的指示,仍舊可以冒犯編劇者;實則編劇者既然容許他的劇本可以做不同的詮釋(演出) ,理當為這類錯誤負責才是。這段插曲還有更深刻的意義。明眼人注意得到,潑哥雖然承認他「弄錯」,卻對這樁錯事毫無悔意。他在結束前引的辯解之時,反而是欣喜之情溢於言表 ...
... 劇本的指示,仍舊可以冒犯編劇者;實則編劇者既然容許他的劇本可以做不同的詮釋(演出) ,理當為這類錯誤負責才是。這段插曲還有更深刻的意義。明眼人注意得到,潑哥雖然承認他「弄錯」,卻對這樁錯事毫無悔意。他在結束前引的辯解之時,反而是欣喜之情溢於言表 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?