細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 1. 1. 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出, 論文集以學者犀利的目光,淵博深厚的修養,獨到的見解, |
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Výsledky 6-10 z 38
Strana 50
... 悲劇角色,還是個『悲劇演員』.........清楚自己正在扮演的角色;以及,他不僅是個悲劇詩行的代言者,還是位詩人,譜寫自己的『悲情傳說』。 J 例如 Peter Ure 便觀察到:本劇後面兩場裡所描繪的李察,帶有很大成分的表演意識和故作姿態。這就顯示莎士比亞希望 ...
... 悲劇角色,還是個『悲劇演員』.........清楚自己正在扮演的角色;以及,他不僅是個悲劇詩行的代言者,還是位詩人,譜寫自己的『悲情傳說』。 J 例如 Peter Ure 便觀察到:本劇後面兩場裡所描繪的李察,帶有很大成分的表演意識和故作姿態。這就顯示莎士比亞希望 ...
Strana 53
... 悲劇在價值上最大的差異,在於歷史特別重視謹慎與簡潔之美」( 113 )。他接著針對第二個四部曲評論道:從這個系列的第一齣,李察言道,「我浪費了時光,現在時光在浪費我」,到亨利五世的結尾說,「一分鐘不輕易放過」;妥善管理時間的概念,像女神一樣掌管著這些劇 ...
... 悲劇在價值上最大的差異,在於歷史特別重視謹慎與簡潔之美」( 113 )。他接著針對第二個四部曲評論道:從這個系列的第一齣,李察言道,「我浪費了時光,現在時光在浪費我」,到亨利五世的結尾說,「一分鐘不輕易放過」;妥善管理時間的概念,像女神一樣掌管著這些劇 ...
Strana 59
... 悲劇的眾多場景罷了。然而,回顧其中一些事件,仍有助於闡明李察是如何因為不知把握時機而受害。第二場第四景以威爾斯軍官率直的話做為開場:索茲伯雷大人,我們已經守候十天了,但是至今沒聽到王上的一點消息。因此我們要解散了。再會吧。 My Lord of ...
... 悲劇的眾多場景罷了。然而,回顧其中一些事件,仍有助於闡明李察是如何因為不知把握時機而受害。第二場第四景以威爾斯軍官率直的話做為開場:索茲伯雷大人,我們已經守候十天了,但是至今沒聽到王上的一點消息。因此我們要解散了。再會吧。 My Lord of ...
Strana 69
... 悲劇事件握在手裡,而且在他手中讓情況更趨惡化。因為,再怎麼醉心於戲劇的構想或表象,導演李察卻毫無導演常識。這就讓他演出的對手鮑伯,不費吹灰之力,只須遵照李察的命令而行即可。李察以尖刻的話語主導整場演出,給了鮑林伯一個非常簡單的角色:鮑林伯只消 ...
... 悲劇事件握在手裡,而且在他手中讓情況更趨惡化。因為,再怎麼醉心於戲劇的構想或表象,導演李察卻毫無導演常識。這就讓他演出的對手鮑伯,不費吹灰之力,只須遵照李察的命令而行即可。李察以尖刻的話語主導整場演出,給了鮑林伯一個非常簡單的角色:鮑林伯只消 ...
Strana 78
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?