細說莎士比亞論文集: a collection of essays 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
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Strana xii
這並非戲劇高潮之後的餘興、主餐過後的甜食;而應該是構成整個戲劇的一個組成部份,正像論文所下的結論:「最後一場戲不可或缺(頁 149 )。第六屆世界莎士比亞大會以「莎士比亞和二十世紀」為討論主題,於一九九六年四月七日晚在美國洛杉磯舉行開幕式, ...
這並非戲劇高潮之後的餘興、主餐過後的甜食;而應該是構成整個戲劇的一個組成部份,正像論文所下的結論:「最後一場戲不可或缺(頁 149 )。第六屆世界莎士比亞大會以「莎士比亞和二十世紀」為討論主題,於一九九六年四月七日晚在美國洛杉磯舉行開幕式, ...
Strana xiii
他事先向小組遞交(又由小組事先分發給組員)的論文是〈戲劇效果與譯文的字序——《哈姆雷》的幾個例子〉,極有見地,深有同感。論文提出詞序的重要性,文學翻譯在詞序上小小的更動會產生語氣上的變化,尤其是戲劇,屬於時間藝術,對於詞序的先後有更嚴密的要求。
他事先向小組遞交(又由小組事先分發給組員)的論文是〈戲劇效果與譯文的字序——《哈姆雷》的幾個例子〉,極有見地,深有同感。論文提出詞序的重要性,文學翻譯在詞序上小小的更動會產生語氣上的變化,尤其是戲劇,屬於時間藝術,對於詞序的先後有更嚴密的要求。
Strana 5
一九九三年,英國皇家莎士比亞劇團來台,於國家戲劇院搬演《錯誤的喜劇》,頗能彰顯劇中「二而一」的觀念。以往的演出喜歡選外型相似的演員,甚至是雙胞胎,來飾演孿生兄弟,但這次的導演 Ian Judge 卻只使用一個演員扮演變生兄弟的兩個角色。
一九九三年,英國皇家莎士比亞劇團來台,於國家戲劇院搬演《錯誤的喜劇》,頗能彰顯劇中「二而一」的觀念。以往的演出喜歡選外型相似的演員,甚至是雙胞胎,來飾演孿生兄弟,但這次的導演 Ian Judge 卻只使用一個演員扮演變生兄弟的兩個角色。
Strana 19
17-22 )其實就是戲劇本身博思普( Prospero )為他所謂「虛渺的盛會」向觀眾賠不是:盛會到此結束。我們這些演員,我說過了,都是精靈,已經溶入空氣之中,溶入稀薄的空氣:而正如這場沒有根基的幻景一樣,聳入雲霄的高樓、華麗的宮殿、莊嚴的廟宇、偉大的地球本身 ...
17-22 )其實就是戲劇本身博思普( Prospero )為他所謂「虛渺的盛會」向觀眾賠不是:盛會到此結束。我們這些演員,我說過了,都是精靈,已經溶入空氣之中,溶入稀薄的空氣:而正如這場沒有根基的幻景一樣,聳入雲霄的高樓、華麗的宮殿、莊嚴的廟宇、偉大的地球本身 ...
Strana 33
0 然而,霸臀的足智多謀,適足以凸顯他膨脹的自大心理,洩露他對戲劇的膚淺觀念,並因此顯示出他對劇本的潛在威脅。例如,只有霸臀膽敢向其他演員拍胸脯保證說,《皮拉木和賽施碧》是一齣「上乘作品......十分有趣,而其實他連「皮拉木是幹什麼的?
0 然而,霸臀的足智多謀,適足以凸顯他膨脹的自大心理,洩露他對戲劇的膚淺觀念,並因此顯示出他對劇本的潛在威脅。例如,只有霸臀膽敢向其他演員拍胸脯保證說,《皮拉木和賽施碧》是一齣「上乘作品......十分有趣,而其實他連「皮拉木是幹什麼的?
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Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?