細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 1. 1. 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出, 論文集以學者犀利的目光,淵博深厚的修養,獨到的見解, |
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Výsledky 6-10 z 44
Strana 8
... 故事多數人耳熟能詳。威尼斯人巴薩紐( Bassanio )向猶太人夏洛( Shylock )借了三千金幣,約期三個月,以便去向貌美多金的波瑕( Portia )求婚。作保的是威尼斯大名鼎鼎的富商安東尼( Antonio ) ;契約訂得很奇特:到時候還不出錢的話,夏洛可以要安東尼的一磅肉 ...
... 故事多數人耳熟能詳。威尼斯人巴薩紐( Bassanio )向猶太人夏洛( Shylock )借了三千金幣,約期三個月,以便去向貌美多金的波瑕( Portia )求婚。作保的是威尼斯大名鼎鼎的富商安東尼( Antonio ) ;契約訂得很奇特:到時候還不出錢的話,夏洛可以要安東尼的一磅肉 ...
Strana 15
... 故事形成對比。此外,《仲夏夜之夢》本身也是靠許多偶發、隨意的事件組成,比起《羅密歐與茱麗葉》不遑多讓。 3 參見彭鏡禧,《哈姆雷》 xxiv - xxvi 。(另見本書《哈姆雷》的戲劇語言>篇)。 4 參見本書從表演角度看《亨利四世上篇》哈樂與福斯塔的關係〉篇 ...
... 故事形成對比。此外,《仲夏夜之夢》本身也是靠許多偶發、隨意的事件組成,比起《羅密歐與茱麗葉》不遑多讓。 3 參見彭鏡禧,《哈姆雷》 xxiv - xxvi 。(另見本書《哈姆雷》的戲劇語言>篇)。 4 參見本書從表演角度看《亨利四世上篇》哈樂與福斯塔的關係〉篇 ...
Strana 20
... 產生的?從森林走出去的兩對雅典情侶,一路敘述他們記憶不全的前一晚的經驗。但是,他們離奇的故事立刻被理智掛帥的雅典公爵西秀士( Theseus )斥為「荒誕不經」的「神仙把戲」: 情人和瘋子滿腦子翻騰,有各式各樣的 20 ◎細說莎士比亞:論文集.
... 產生的?從森林走出去的兩對雅典情侶,一路敘述他們記憶不全的前一晚的經驗。但是,他們離奇的故事立刻被理智掛帥的雅典公爵西秀士( Theseus )斥為「荒誕不經」的「神仙把戲」: 情人和瘋子滿腦子翻騰,有各式各樣的 20 ◎細說莎士比亞:論文集.
Strana 22
... 故事。因此,儘管公爵自信滿滿,一副權威的姿態,觀眾恐怕不會和他站在一邊,反倒是比較可能同情那迷惘的亞馬遜女王海波力達( Hippolyta )。她說:可是從昨夜的故事整個聽來,加上他們的心又如此一致的改變,足見還不僅是幻象而已,倒成為一種確切不移的東西 ...
... 故事。因此,儘管公爵自信滿滿,一副權威的姿態,觀眾恐怕不會和他站在一邊,反倒是比較可能同情那迷惘的亞馬遜女王海波力達( Hippolyta )。她說:可是從昨夜的故事整個聽來,加上他們的心又如此一致的改變,足見還不僅是幻象而已,倒成為一種確切不移的東西 ...
Strana 37
... 故事,全都在快快樂樂的婚或和諧氣氛中告一段落。一般認為,莎士比亞寫《仲夏夜之夢》,是為了替某貴族的婚禮助興捧場。3 果真如此,那是最合適不過了。同樣的,戲中戲裏也有皮拉木和賽施碧的愛情故事。這齣戲的內容特別讓人聯想到賴散德和賀媚兒兩人,在精靈王 ...
... 故事,全都在快快樂樂的婚或和諧氣氛中告一段落。一般認為,莎士比亞寫《仲夏夜之夢》,是為了替某貴族的婚禮助興捧場。3 果真如此,那是最合適不過了。同樣的,戲中戲裏也有皮拉木和賽施碧的愛情故事。這齣戲的內容特別讓人聯想到賴散德和賀媚兒兩人,在精靈王 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?