細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 1. 1. 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出, 論文集以學者犀利的目光,淵博深厚的修養,獨到的見解, |
Vyhledávání v knize
Výsledky 6-10 z 92
Strana 10
... 時候,都遭她斷然拒絕。然則波瑕和夏洛的差異幾希? 6 《威尼斯商人》的註冊登記是在一五九八年。過了六、七年,莎士比亞又寫了齣關於寬恕的戲,名為《量罪記》( Measure for Measure )。話說維也納( Vienna )的公爵文森修( Vincentio )長久疏於執法,內政不修 ...
... 時候,都遭她斷然拒絕。然則波瑕和夏洛的差異幾希? 6 《威尼斯商人》的註冊登記是在一五九八年。過了六、七年,莎士比亞又寫了齣關於寬恕的戲,名為《量罪記》( Measure for Measure )。話說維也納( Vienna )的公爵文森修( Vincentio )長久疏於執法,內政不修 ...
Strana 12
... 時候,她的第一個反應是:嚇,沒有榮譽竟還要人家相信!惡毒已極的目的!偽裝啊偽裝!我要揭發你,安哲洛;走著瞧。馬上給我簽署赦免我弟弟的令狀,不然我就扯著嗓門向世界大聲宣告你是哪一種人。 Ha , little honor to be much believed , And most pernicious ...
... 時候,她的第一個反應是:嚇,沒有榮譽竟還要人家相信!惡毒已極的目的!偽裝啊偽裝!我要揭發你,安哲洛;走著瞧。馬上給我簽署赦免我弟弟的令狀,不然我就扯著嗓門向世界大聲宣告你是哪一種人。 Ha , little honor to be much believed , And most pernicious ...
Strana 13
... 時候的伊色貝和安哲洛也頗似一對孿生。這就讓我們回到劇名 Measure for Measure 。它取自聖經<馬太福音>七章一至二節:莫要論斷人,以免受到論斷。因為你怎樣論斷人,也必怎樣受到論斷,用什麼衡量( measure )人,就會受到同樣的衡量。 Judge not , that ye be ...
... 時候的伊色貝和安哲洛也頗似一對孿生。這就讓我們回到劇名 Measure for Measure 。它取自聖經<馬太福音>七章一至二節:莫要論斷人,以免受到論斷。因為你怎樣論斷人,也必怎樣受到論斷,用什麼衡量( measure )人,就會受到同樣的衡量。 Judge not , that ye be ...
Strana 20
... 時候,劇本幾乎是「不著一點[原作的]痕跡」了。3 二、劇本的產生我們的討論,理當從這裏開始:劇本是如何產生的?從森林走出去的兩對雅典情侶,一路敘述他們記憶不全的前一晚的經驗。但是,他們離奇的故事立刻被理智掛帥的雅典公爵西秀士( Theseus )斥為「荒誕 ...
... 時候,劇本幾乎是「不著一點[原作的]痕跡」了。3 二、劇本的產生我們的討論,理當從這裏開始:劇本是如何產生的?從森林走出去的兩對雅典情侶,一路敘述他們記憶不全的前一晚的經驗。但是,他們離奇的故事立刻被理智掛帥的雅典公爵西秀士( Theseus )斥為「荒誕 ...
Strana 23
... 時候是劇本本身出了毛病;而劇本在走到舞台的路上,又有太多防不勝防的風險。三、劇本何處去?奧本龍寫第一個劇本,是為了報復他執拗不願讓步的妻子,精靈之后泰淡雅( Titania )。他先命令潑哥( Puck )去採擷號稱「空戀花」( love - in - idleness )的三色堇 ...
... 時候是劇本本身出了毛病;而劇本在走到舞台的路上,又有太多防不勝防的風險。三、劇本何處去?奧本龍寫第一個劇本,是為了報復他執拗不願讓步的妻子,精靈之后泰淡雅( Titania )。他先命令潑哥( Puck )去採擷號稱「空戀花」( love - in - idleness )的三色堇 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?