 What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal...  The Dramatic Works of William Shakspeare - Strana 275autor/autoři: William Shakespeare, William Harness - 1830Úplné zobrazení - Podrobnosti o knize
 | Eugenio María de Hostos - 1994 - 552 str.
...that this palyer here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit,... and all for nothing! For Hecuba! What's...That I have? He would drown the stage with tears... make mad the guilty... Yet I, A dull and muddy— mettled rascal, peak,... and can say nothing... Am... | |
 | William Shakespeare - 1995 - 136 str.
...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant,... | |
 | Johann Wolfgang von Goethe - 1995 - 404 str.
...of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect, A broken...him, or he to Hecuba, That he should weep for her?" "If only we can persuade our man to go on stage," said Aurelie. "We will have to get him used to the... | |
 | John Jones - 1999 - 310 str.
...marvelling at the professional actor moved to huge passion through a story, unmanned by an old tale: Tears in his eyes, distraction in's aspect, A broken...nothing. For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? (i. 2. 556-6t) I am following Shakespeare's draft, Qi. The Folio... | |
 | Plato - 1996 - 268 str.
...| Could force his soul so to his whole conceit, | That, from her working, all his visage wann'd; | Tears in his eyes, distraction in's aspect, | A broken...him, or he to Hecuba, | that he should weep for her?' The identification of the performer with his subject-matter, described here, is of central importance... | |
 | Henry Sussman - 1997 - 338 str.
...his own conceit That from her working all the visage wanned, Tears in her eyes, distraction in his aspect, A broken voice, and his whole function suiting...That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant,... | |
 | Richard Halpern - 1997 - 308 str.
...her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit?...That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty, and .appall the free, Confound the... | |
 | Moses Mendelssohn - 1997 - 370 str.
...his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...he the motive and the cue for passion That I have? . . . - Hamlet, Act II, Scene n What a masterstroke! Experience teaches that dejected souls find a... | |
 | Stephen Orgel, Sean Keilen - 1999 - 356 str.
...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...he the motive and the cue for passion That I have? [2.2.534-46] Hamlet makes the point that dances before us in every scene. Dramatic, rhetorical motive... | |
 | Joan Ackermann - 1999 - 60 str.
...arm, waving on a car.) Go, go, go. Get thee, get thee, get thee. (Sinks back into character.) What's Hecuba to him, or he to Hecuba, That he should weep...That I have? He would drown the stage with tears And cleave the general ear with horrid speech Get off my ass, buddy. (Looking in the rearview mirror.)... | |
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