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" melody of numbers, and therefore tires by long continuance. Of the Italian writers without rhyme, whom Milton alleges as precedents, not one is popular ; what reafon could urge in its •defence, has been confuted by the ear. But, whatever be the advantage... "
The Works of the English Poets: With Prefaces, Biographical and Critical - Strana 216
autor/autoři: Samuel Johnson - 1779
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The Works of Samuel Johnson, L. L. D.: In Twelve Volumes, Svazek 9

Samuel Johnson - 1811
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents not one is popular; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,...
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The Works of Samuel Johnson, Svazek 9

Samuel Johnson - 1816
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Of the Italian writers without rhyme, whom Milton alledges as precedents, not one is popular; what reason could urge in its defence has been confuted...
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The Works of Samuel Johnson, LL.D.

Samuel Johnson, Arthur Murphy - 1820
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantage of rhyme,...
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The Lives of the Most Eminent English Poets: With Critical ..., Svazek 1

Samuel Johnson - 1821
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhyme,...
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Lives of the Most Eminent English Poets, with Critical ..., Svazek 1

Samuel Johnson - 1821
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Of the Italian writers without rhyme, whom Milton alledges as precedents, not one is popular ; what reason could urge in its defence has been confuted...
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The British poets, including translations, Svazek 16

British poets - 1822
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhyme,...
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The British Poets: Including Translations ...

1822
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhyme,...
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The works of Samuel Johnson, Svazek 6

Samuel Johnson - 1823
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Of the Italian writers without rhyme, whom Milton alledges as precedents, not one is popular; what reason could urge in its defence has been confuted...
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The works of Samuel Johnson, Svazek 5

Samuel Johnson - 1824
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantage of rhyme,...
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The Works of Samuel Johnson, Svazek 5

Samuel Johnson - 1825
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence, has been confuted by the ear. The highest praise of genius is original...
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