 melody of numbers, and therefore tires by long continuance. Of the Italian writers without rhyme, whom Milton alleges as precedents, not one is popular ; what reafon could urge in its •defence, has been confuted by the ear. But, whatever be the advantage...  The Works of the English Poets: Prefaces - Strana 216autor/autoři: Samuel Johnson - 1779Úplné zobrazení - Podrobnosti o knize
 | Samuel Johnson - 1811 - 420 str.
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents not one is popular; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,... | |
 | Samuel Johnson - 1816 - 486 str.
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Of the Italian writers without rhyme, whom Milton alledges as precedents, not one is popular; what reason could urge in its defence has been confuted... | |
 | Samuel Johnson, Arthur Murphy - 1820 - 466 str.
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantage of rhyme,... | |
 | Samuel Johnson - 1821 - 502 str.
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhyme,... | |
 | Samuel Johnson - 1821 - 474 str.
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Of the Italian writers without rhyme, whom Milton alledges as precedents, not one is popular ; what reason could urge in its defence has been confuted... | |
 | British poets - 1822 - 302 str.
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhyme,... | |
 | 1822 - 292 str.
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhyme,... | |
 | Samuel Johnson - 1823 - 478 str.
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Of the Italian writers without rhyme, whom Milton alledges as precedents, not one is popular; what reason could urge in its defence has been confuted... | |
 | Samuel Johnson - 1824 - 450 str.
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantage of rhyme,... | |
 | Samuel Johnson - 1825 - 534 str.
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence, has been confuted by the ear. The highest praise of genius is original... | |
| |
