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" melody of numbers, and therefore tires by long continuance. Of the Italian writers without rhyme, whom Milton alleges as precedents, not one is popular ; what reafon could urge in its •defence, has been confuted by the ear. But, whatever be the advantage... "
The Works of the English Poets: With Prefaces, Biographical and Critical - Strana 216
autor/autoři: Samuel Johnson - 1779
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The works of Samuel Johnson [ed. by F.P. Walesby].

Samuel Johnson - 1825
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and, therefore, tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,...
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The Works of Samuel Johnson: Lives of the poets

Samuel Johnson - 1825
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and, therefore, tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,...
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The Works of Samuel Johnson, LL.D.

Samuel Johnson - 1825
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and, therefore, tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,...
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The Lives of the English Poets, Svazek 1

Samuel Johnson - 1826 - 420 str.
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhyme,...
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Paradise Lost: A Poem

John Milton - 1833 - 351 str.
...that which is called the latidary style; has neither the easiness of prose, nor the melody ofnumbers ; and therefore tires by long continuance. Of the Italian writers without rhyme, whom he alleges as precedents, not one is popular; what reason could urge in its defence, has been confuted...
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Lives of the poets. Lives of eminent persons. Political tracts. Philological ...

Samuel Johnson, Arthur Murphy - 1834
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhvme,...
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Works: Life and Letters, Svazek 5

William Cowper - 1835
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers; and therefore tires by long continuance....Milton alleges as precedents, not one is popular. What reason could urge in its defence, has been confuted by the ear." Johnson however makes an exception,...
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Life and works of William Cowper, Svazek 5

William Cowper - 1836
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers; and therefore tires by long continuance....Milton alleges as precedents, not. one is popular. What reason could urge in its defence, has been confuted by the ear." Johnson however makes an exception,...
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The Works of Samuel Johnson, LL. D.: Lives of the poets

Samuel Johnson - 1837
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence has been confuted by the ear. from Homer, Milton is perhaps the least...
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Works, Svazek 2

Samuel Johnson - 1838
...to that which is called the lapidary style ; has neither the easiness of prose, nor the melody q£ 񬁀 ݼ I ׁ ݘ I ŀ... | 鏁 ː Ę reason could urge in its defence has been confuted by the ear. is to bo admired rather than imitated....
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