 The Author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called...  Lyra Heroica: A Book of Verse for Boys - Strana 351autor/autoři: William Ernest Henley - 1891 - 364 str.Úplné zobrazení - Podrobnosti o knize
 | 1837 - 1032 str.
...onrvelres justified in retaining our o»n ikith therein.. two to three hundred lines ; if that indeed can be called composition in which all the images...without any sensation or consciousness of effort." Ou awaking he instantly sat down to commit his poem to paper. After having written so many lines as... | |
 | 1838 - 530 str.
...three hundred lines ; if that indeed can be called composition in which all the images rose up hefore him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort.' On awaking he instantly sat down to commit his poem to paper. After having written so many lines as were... | |
 | 1844 - 734 str.
...confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition, in which all the images...without any sensation, or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole, and, taking his pen,... | |
 | 1844 - 752 str.
...confidence that he could not hare composed less than from two to three hundred lines ; if that indeed can be called composition, in which all the images...correspondent expressions, without any sensation, or coniciousnets of effort. On awaking, he appeared to himself to have a distinct recollection of the... | |
 | Samuel Taylor [poetical works] Coleridge - 1847 - 310 str.
...confidence, that he could not have composed less than from two to three hundred lines ; . if that indeed can be called composition in which all the images...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink,... | |
 | John Sheppard - 1847 - 218 str.
...confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition, in which all the images...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and instantly and eagerly... | |
 | 1847 - 614 str.
...which he had a vivid confidence that he composed from two to three hundred lines ; if, as he says, that can be called composition in which all the images...before him as things with a parallel production of correspondent expressions. On awaking he appeared to have a distinct recollection of the whole, and... | |
 | Samuel Taylor Coleridge - 1848 - 688 str.
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...without any sensation or consciousness of effort. Ou awaking, he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | George Moore - 1848 - 304 str.
...which he had a vivid confidence that he composed from two to three hundred lines ; if, as he says, that can be called composition in which all the images...before him as things with a parallel production of correspondent expressions. On awakening he appeared to have a distinct recollection of the whole, and... | |
 | Leigh Hunt - 1849 - 264 str.
...confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the corresponding expressions, without any sensation, or a consciousness of effort. On awaking, he appeared... | |
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