 | Mary Oliver - 1998 - 212 str.
...from art, not chance, As those move easiest who have learned to dance. 'Tis not enough no harshness gives offence, The sound must seem an echo to the...hoarse, rough verse should like the torrent roar. It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know... | |
 | Earl R. Anderson - 1998 - 408 str.
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 | Alexander Pope - 1998 - 260 str.
...harshness gives offence, The sound must seem an echo to the sense: Soft is the strain when Zephyr gendy blows, And the smooth stream in smoother numbers flows;...When Ajax strives, some rock's vast weight to throw, 370 The line too labours, and the words move slow; Not so, when swift Camilla scours the plain, Flies... | |
 | Henry Noble Day - 1998 - 388 str.
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 | Philip Gaskell - 1998 - 212 str.
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 | Dietrich Jäger - 1998 - 340 str.
...Klanglichen): Tis not enough no Harshness give Offence, The Sound must seem an Eccho to the Sense, 365 Soft is the Strain when Zephyr gently blows, And the...Surges lash the sounding Shore, The hoarse, rough Verse shou'd like the Torrent roar. When Ajax strives, some Rock's vast Weight to throw, The Line too labours,... | |
 | András Horn - 1998 - 212 str.
...zweite eine langsame, mühsame Bewegung metrisch „nochmals sagt", die vierte Zeile dagegen Flinkheit: When Ajax strives some rock's vast weight to throw,...so, when swift Camilla scours the plain, Flies o'er th" unbending corn, and skims along the main. Um nur zwei Mittel der prosodisch bewerkstelligten Verlangsamung... | |
 | Matthew Campbell - 1999 - 272 str.
...versification which is more than just a smoothing over of 'harshness' by art: 'Tis not enough no harshness gives offence. The sound must seem an echo to the...throw, The line too labours and the words move slow: (Essay on Criiicism, 364-71)' In a polemic designed to rescue metrical matters from technical prescription,... | |
 | 1963 - 968 str.
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